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How to: Run uTorrent in Linux (Ubuntu) How to: run uTorrent in Linux Here's a brief tutorial that was requested in our forum. uTorrent is a very lightweight and easy to use bittorrent client, that unfortunately is unmatched by some of the Linux clients out there today. You can still have functioning WebUI and Automated RSS Downloading...

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How to: Revive a Dead Torrent Eventually every bittorrent user (especially when dealing with older files) encounters the problem of incomplete downloads (stuck at 98%) or the problem of there just not being any or enough seeds to support their download. Understanding the problem is the first step to fixing it. Being Stuck, Download...

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Free Security Software List 1.0 (Freeware) Free Security Software The need for security software is essential when downloading files from random users via bittorrent. Regardless of how many good users and quality uploaders there are in the scene, there are still malicious users who try to spread viruses, and adware via bittorrent and you should...

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Adding Additional Trackers to Your Torrents No Seeders? Not Always the Case! How to Revive a "Dead" Torrent Just because that hard to find torrent can’t seem to find any seeds to download from, does not necessarily mean that there are 0 seeders available in the entire world! Seeders are very important users to you, as they are the users...

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Helpful Software Collection v1.0 Well here's the first version of our helpful software list for all of our fans. We assume this list is never complete as new software is always being developed and distributed. If you have any programs you think should be on this list, don't hesitate to leave a comment at the bottom of this post, or...

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Interesting Product: CinemaCube Bittorrent Dowloader

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Posted on : 30-03-2010 | By : tipst3r | In : Multimedia, P2P and Filesharing, Product, Reviews, downloading
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Stumbled across this great product and review, and thought everyone would enjoy a little peek!

I’ve seen it selling for $89.99 before, but it’s dropped in price, seriously debating picking one up!

The CinemaCube

cinemacube

Description from the website:


CinemaCube is a multi-format Audio/Video Media player, with resolution up to 1280X720 HD (720p). It supports RM, RMVB, MP2, AVI, H.264, VOB, MOV, MKV, DivX, Xvid, WMV video formats, MP3, Real Audio, FLAC, AAC, OGG, WAV audio formats and JPEG, GIF, BMP, PNG image formats.

It can play media files from plugged USB storage devices or from computers in the same network. With built-in bittorrent p2p file sharing engine, you can share/download media files on the Internet without having to turn your computers on.

Here’s an unboxing video of a CinemaCube unit from Youtube:

A bit more in-depth description of the Bittorrent functions:


The CinemaCube is so much more than just another HD media player – it comes with a built-in BitTorrent engine! You can use any BitTorrent search engine to search the internet for torrent seeds, and then download associated movies, TV shows, music, software and more. You can also discover new media in P2P communities where users share comments and ratings.

The CinemaCube supports BitTorrent download. As long as the torrent seeds are already saved on your USB drive, you can simply unplug the USB drive from your computer and connect it to the CinemaCube, and the CinemaCube will manage the BT download.

Visit the product website here.

Got a CinemaCube? Post a comment about how you like it!

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Understanding Bittorrent Movie Releases

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Posted on : 20-03-2010 | By : tipst3r | In : Codecs, Copyright Issues, P2P and Filesharing, Reviews, Software, Subtitles, Tutorials, Video, downloading
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Understandably it can be a bit confusing when looking for movies to download what you are actually downloading before the file finishes. Maybe you don’t want a CAM release and would prefer a TELESYNC or vice-versa. What it really comes down to is preference and availability of the file. This guide will walk you through the different names, qualities and filetypes you’ll typically encounter when downloading movies via bittorrent.

Filename Structure

The easiest place to start is to look at the typical filename, although they may vary greatly, they usually follow a specific structure, let’s take a look at this title for example: RocknRolla.2008.DvDRip-aXXo

The filename actually gives you all the information you need, lets break it down:

  • RocknRolla – The name of the movie.
  • 2008 – The year the movie was released.
  • DVDRip – The type of release it is (quality), in this case it is ripped from a DVD.
  • aXXo – The release group/person.
  • Occasionally you will also see the language/subtitles the film is in in the filename as well

Release Types

Typically there are 6 types of release you will encounter:

  • CAM
  • TELESYNC (TS)
  • DVD-SCREENER (DVDSCR)
  • R5 LINE (R5)
  • DVD RIP (DVDRip)
  • BLU RAY RIP (BRRip)

Typically, these are ranked from worst (CAM) to best (BRRip) quality. Here is each one in a bit more detail. We’ll give each a score out of 10 so you have an idea of their total quality.

CAM: 1-3/10

A cam is a theater rip usually done with a digital video camera. Sound is taken from the on board microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these problems picture and sound quality are usually quite poor.

TELESYNC (TS): 4/10

A TELESYNC is the same as a CAM except it uses an external audio source. A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a TELESYNC is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically. A high percentage of TELESYNC’s are CAM’s that have been mislabeled.

DVD-SCREENER (DVDSCR): 6-7/10

A advanced DVD, sent to rental stores, and various other places for promotional use. The main draw back is a ticker (a message that scrolls past at the bottom of the screen, with the copyright and anti-copy telephone number). Usually letterbox, but without the extras that a DVD retail would contain. Usually transferred to SVCD or DivX/XviD.

R5 LINE (R5): 6-7/10

R5 refers to a specific format of DVD released in DVD Region 5, the former Soviet Union, and bootlegged copies of these releases that are distributed on the Internet. In an effort to compete with movie piracy, the movie industry chose to create a new format for DVD releases that could be produced more quickly and less expensively than traditional DVD releases.

The image quality of an R5 release is generally comparable to a DVD Screener release, except without the added scrolling text and black and white scenes that serve to distinguish screeners from commercial DVD releases. The quality is better than Telecine transfers produced by movie pirates because the transfer is performed using professional-grade film scanning equipment.

DVD RIP (DVDRip): 8-10/10

A copy of the final released DVD. Should be excellent quality. DVDrips are released in SVCD and DivX/XviD.

BLU RAY RIP (BRRip): 10/10

A copy of the final released Blu Ray, typically 720p. BRRip’s are usually released in H264/MP4.

How to Play These Files?

DivX and XviD files can be played in your standalone DivX player (if you have one). If not you’ll need specific Codecs to play them which you can find all you’ll need in hour Helpful Software List. These Codecs will also work for H264/MP4 files.

As far as SVCD files go, they can be burned or the video files can be extracted (whatever your preference).

Sources

Wikipedia
WarezTeacher

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iPad as Video Device? Not So Much

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Posted on : 28-01-2010 | By : psilo | In : News, Reviews
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In the unlikely case you were somehow unaware of the big news from yesterday, Apple announced the iPad, a new device (and category) somewhere between a smartphone and a laptop that will either revolutionize the entire computing space, or will flop miserably (depending on which analyst you read).  So much has been tweeted, facebooked, blogged, and written about the iPad already, I’m not sure that what I have to say will be all that new, but there are a few specific aspects of the iPad that I find very intriguing (and less commented upon).

While the value of the device for casual web-surfing, gaming, and light productivity seems pretty obvious, another key aspect touted by Apple for theiPad was video.  And here is where I feel the iPad is at best a step backward, and at worst a real failure.  Everyone who has been able to get their hands on the iPad lauds it’s screen clarity, but from a purely video watching standpoint, it is far from ideal.  4:3 aspect ratio and limited to 720p resolution?  That strikes me as very weak.  A screen that size (9.7″ diagonal) might seem small for full 1080p resolution but since the use case is geared towards handheld situations, or very close watching (while on a plane for example), 1080p is actually quite appropriate in my opinion, as is a 16:9 aspect ratio.

Worse, though, from a video standpoint are the format restrictions the iPad enforces.  The iPad can only play back video files in .mp4, .mpv, and .mov file formats with H.264 video at Main Profile level 3.1 with AAC-LC audio up to 160 Kbps/48kHz.  In other words, the iPad basically plays back video in the iTunes format and really nothing else.  The vast bulk of Internet video files are in other formats, specifically Xvid in .avi for standard definition and H.264 High Profile 4.0 in .mkv for high definition content.  True, we are talking about grey market content here, but that remains the vast majority of what users consume in terms of downloaded video files.  This strategy mirrors what Apple did with the AppleTV, by severely limiting what kinds of content it could play back, essentially restricting it to iTunes video purchases and rentals, instead of the de facto standards of what people actually watch.  The AppleTV/iPad strategy is the opposite of what Apple did with the iPod, it must be said, for that device could always play back the truly popular format, mp3.  I believe that the main factor in the AppleTV’s failure has been the inability to play back formats outside of iTunes, and from a video standpoint, the iPad is repeating that error.  Yes, there are relatively easy ways to transcode video content into an iPad playable format, but that is a massively annoying requirement, especially when it’s utterly unnecessary.  I have no doubt the iPad has the graphic horsepower to decode 720p Blu-Ray rips in .mkv with either .ac3 or multi-channel .aac soundtracks natively, but Apple decided differently.

Just as questionable is the decision to prevent Flash playback on the iPad.  I am far from a fan of Flash in general, and it is somewhat understandable why Apple does not want Flash on their iPhones, but it makes far less sense on a device with an emphasis on video playback.  Without Flash, the iPad cannot access the most compelling legitimate content online right now, notably Hulu, but also the 75% of streaming content that relies on Flash today.  This situation may be changing, of course, as there is some movement away from Flash based streaming towards HTML5 (see recent moves by YouTube and Vimeo) but that trend is very much in its early stages, and brings a whole host of other issues into play (that I hope to write about soon).  Fundamentally, however, the dominance of Flash online is not going to disappear in the 60 days before the iPad is released.  Ryan Lawler at NewTeeVee thinks the decision against Flash is a smart one in that it will push video sites to create paid-for apps specific to the iPad.  John Gruber believes its a larger move by Apple against proprietary technologies that Apple does not control.  Both Lawler and Gruber may be correct about the reasoning behind the decision against Flash, but regardless of the rationale, the decision makes the iPad hugely less appealing from a video standpoint.  Just as with the choice to limit video file formats, not supporting Flash may make sense from an Apple eco-system and business standpoint, but it also makes the device essentially useless for me as a video consumer.

Of course, I am probably not the real target demographic for the iPad.  There may in fact be enough customers willing to get all their video content from iTunes.  Or maybe video functionality will prove to be a secondary factor in the iPad’s success or failure, as the device does have many other compelling uses after all.  But I suspect that the crippled video capability will prove to be a major negative for the iPad, and make the chances of it turning into a failure like the AppleTV more likely than it becoming a smash success like the iPod or iPhone.